- The break after the solo in Springsteen's "Born to Run" where he counts off and then passionately sings out"The highway's jammed with broken heroes on a last chance power drive." This moment never fails to get me to sing along at the very top of my lungs. The Boss is the boss.
- The part in Lennon's "God" where a defeated sounding John sings "I used to be the Walrus, but now I'm John." It perfectly lets everyone into the kind of hurt that Lennon felt over being part of something so special (The Beatles and the Love Generation) just to see it fall apart. It's a terribly poignant moment within a terribly poignant record.
- "The Scream" in The Who's "Won't Get Fooled Again." If you do not know what I'm talking about, then you don't listen to enough music.
- The entirety of the song "The March of the Gay Parade" by of Montreal. It crystallizes the goofy, off-the-wall charm of "the indie Sgt. Pepper" in the most unanticipated and brilliant skits I've had the pleasure of hearing.
- The moment in the lyrics of Death Cab for Cutie's "Tiny Vessels" where Ben shifts the perspective from the second person to the first person and transforms the entire song into a guilty confession. This is one of the moments on Transatlanticism that made me fall in love with Death Cab.
Digest: Six Guns and Laser Swords
2 days ago